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                  <text>Representations of Disabled Doctors in Television</text>
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                  <text>Television, being present in almost every home across the globe has immense potential to impact the way ideas are shared in the public imagination and how due to positive or negative representations, it can shape how the layman thinks about individuals having certain identities and the same goes for disabled doctors. Representations of doctors with disabilities on the small screen have been sparse and unidimensional and even though progress has been made, there is still a long way to do.&amp;nbsp;</text>
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                <text>The first Disabled doctor on TV? Dr. Kerry Weaver on &lt;em&gt;ER&lt;/em&gt;</text>
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                <text>&lt;p&gt;Debuting on the medical drama “ER” in its second season in 1995, Dr Kerry Weaver was one of the first representations of disabled doctors on primetime television. Having a limp in her gait and using a forearm crutch, the character was played by a non disabled actor. Infact, an actress who does have a disability, Christopher Templeton, was denied an audition for the part. (Parsi, 2001) According to archives, the actor Laura Innes was involved in the decision to use a crutch as a prop for the role.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Chet Cooper: When you read for the role of Dr. Kerry Weaver on ER, did you know going in that you would play a person with a disability?&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Innes: Yes, when I read for the part, the character was described as having a limp and using a cane. She was written with that intention. I never asked John Wells—the show’s executive producer—but I heard it through the grapevine that when he was observing hospitals, he saw a doctor who had a cane and he thought, “Oh, that’s kind of interesting.”&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Johnson: You knew Weaver had a limp, but did they tell you the back story?&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;Innes: No. When I asked, “Well, what’s her malady or injury?” they said, “We haven’t decided yet.” They wanted to keep it open, and not have it be something that was an issue. We discussed what kind of crutch or cane I should use, and I actually suggested the cuff crutch, because I thought with all the moving around and concerns with cleanliness, that a doctor wouldn’t always want to be grabbing onto a cane or setting it down. With a cuff crutch, it could always be on my arm, and if I was at a trauma table I could have it for support and still use my hands. So that’s how that choice was made. When I got the part and the character was described as having a limp, I didn’t really think about it in terms of the impact as a disability.&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;(Innes, 2008)&lt;/p&gt;&#13;
&lt;p&gt;Eventually, in Season 11, we learned that Weaver's limp was caused by congenital hip dysplasia, and in the following season, she had corrective surgery that allowed her to walk without use of the crutch. Ironically, the surgery was, at least in part, driven by Innes' real life health issues caused by using a cane for so many years on the series. As a result we see that disability was both used and eliminated casually.&lt;/p&gt;</text>
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                <text>Innes, L. (2008). Laura Innes - From Acting to Calling Action! (P. Johnson, &amp;amp; C. Cooper, Interviewers) Parsi, K. (2001, December ).&lt;br /&gt;&lt;br /&gt;Doctors in Balck and White on the Big and Small Screens . From AMA Journal of Ethics : https://journalofethics.ama-assn.org/article/doctors-black-and-white-big-and-small-screens/2001-12</text>
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                  <text>Television, being present in almost every home across the globe has immense potential to impact the way ideas are shared in the public imagination and how due to positive or negative representations, it can shape how the layman thinks about individuals having certain identities and the same goes for disabled doctors. Representations of doctors with disabilities on the small screen have been sparse and unidimensional and even though progress has been made, there is still a long way to do.&amp;nbsp;</text>
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                <text>Firstness comes full circle - Dr Laura Riley on Grey’s Anatomy</text>
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                <text>February 2020 saw for the first time the appearance of a deaf doctor on national TV in the form of Dr. Laura Riley on the long-time running drama Grey’s Anatomy. Compared to Dr. Kerry Weaver several years ago, this representation is an authentic take on deaf doctors in the field of medicine as it shows Dr Riley a good diagnostician not despite their deafness but rather because of it. Moreover, the show does not use the character’s deafness as a trope but another layer of their multifaceted personality. Last but not least, the show brings to the fore the variety of communication techniques used by deaf people in professional settings - from signing, lip reading and English to using a sign language interpreter via an iPad, a holistic and nuanced representation of the ways deaf people communicate is shown. Through this, we see more and better representation of doctors with disabilities making their way to the small screen. </text>
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                  <text>Television, being present in almost every home across the globe has immense potential to impact the way ideas are shared in the public imagination and how due to positive or negative representations, it can shape how the layman thinks about individuals having certain identities and the same goes for disabled doctors. Representations of doctors with disabilities on the small screen have been sparse and unidimensional and even though progress has been made, there is still a long way to do.&amp;nbsp;</text>
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                <text>Another Doctor with a Cane: Dr. &lt;em&gt;Gregory House&lt;/em&gt; on House M.D.</text>
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                <text>In 2004, a new medical drama aired on Fox called House M.D. in which the titular character Dr. Gregory&amp;nbsp; House, a disabled doctor, walking with the help of a cane and addicted to painkillers was an unconventional, &lt;span&gt;&lt;a href="https://en.wikipedia.org/wiki/Misanthropy"&gt;misanthropic&lt;/a&gt;&lt;/span&gt; medical genius who led a team of &lt;span&gt;&lt;a href="https://en.wikipedia.org/wiki/Medical_diagnosis"&gt;diagnosticians&lt;/a&gt;&lt;/span&gt; and diagnosed and managed mysterious ailments in his patients. As a result of these various personality traits coming together to form a complicated character, it was seen that when House was just seen as someone who hates people, this trait of his became a thin veil which rendered his disability invisible and subsequently marginalized and erased it.&#13;
&lt;p&gt;This can clearly be seen in the following artifact:&lt;br /&gt;&lt;strong&gt;At the October 2010 meeting of the American Society for Bioethics and Humanities (ASBH), an affinity group presentation on doctors in film and television evolved into a heated debate over House M.D. The group, comprised of PhDs in the humanities along with medical doctors and attorneys, focused solely on Dr. House's treatment of patients while overlooking his disability. The point is that even an audience relatively attuned to cultural constructions of disability could not see House's disability beyond his bad behavior. The conversation raises questions like "How is disability rendered invisible in popular media?" "How does House M.D. both perform and erase disability?" &lt;/strong&gt;(Altavilla, 2013)&lt;/p&gt;&#13;
&lt;p&gt;As a result, we see that even though disabled doctors did make an appearance on the small screen and there was certain representation in the media, it didn’t always translate into improved societal understanding and acceptance of them in reality.&lt;/p&gt;</text>
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                <text>Altavilla, G. (2013). Queer narrative prosthesis: disability and sexuality in Richard III and House MD.</text>
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                  <text>This collection explores early pioneers as well as current architects and advocates of Universal Design in relation to architecture and the built environment.</text>
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                <text>Jack Catlin in an interview for the organization&lt;em&gt; It's Our Story&amp;nbsp;&lt;/em&gt;speaks about how he became an architect and the importance of Universal Design.</text>
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                <text>c. early 2000s</text>
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                  <text>Literature on Universal Design and the Built Environment</text>
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                  <text>This collection addresses existing literature that deals with universal design in the built environment as well as in relation to material objects. While not dealing exclusively about the intersection of disabled doctors and universal design, this collection hopes to point audiences to books that may serve as starting points for disabled doctors as well as the able-bodied community around them to start thinking about what it would mean and what it would look like for disabled doctors to have their voices heard and consequential in the altering and changing of medical environments such as hospitals, clinics, rehabilitation centers, and more.</text>
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                <text>&lt;em&gt;Doing Disability Differently: An Alternative Handbook on Architecture, Dis/ability and Designing for Everyday Life&lt;/em&gt; by Jos Boys (Taylor and Francis, 2014)</text>
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&lt;p&gt;This book aims to take a new and innovative view on how disability and architecture might be connected. Rather than putting disability at the end of the design process, centred mainly on compliance, it sees disability – and ability – as creative starting points for the whole design process. It asks the intriguing question: can working from dis/ability actually generate an alternative kind of architectural avant-garde?&lt;/p&gt;&#13;
&lt;p&gt;To do this,&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;i&gt;Doing Disability Differently&lt;/i&gt;:&lt;/p&gt;&#13;
&lt;ul&gt;&#13;
&lt;li&gt;explores how thinking about dis/ability opens up to critical and creative investigation our everyday social attitudes and practices about people, objects and space&lt;/li&gt;&#13;
&lt;li&gt;argues that design can help resist and transform underlying and unnoticed inequalities&lt;/li&gt;&#13;
&lt;li&gt;introduces architects to the emerging and important field of disability studies and considers what different kinds of design thinking and doing this can enable&lt;/li&gt;&#13;
&lt;li&gt;asks how designing for everyday life – in all its diversity – can be better embedded within contemporary architecture as a discipline&lt;/li&gt;&#13;
&lt;li&gt;offers examples of what doing disability differently can mean for architectural theory, education and professional practice&lt;/li&gt;&#13;
&lt;li&gt;aims to embed into architectural practice, attitudes and approaches that creatively and constructively refuse to perpetuate body 'norms' or the resulting inequalities in access to, and support from, built space.&lt;/li&gt;&#13;
&lt;/ul&gt;&#13;
&lt;p&gt;Ultimately, this book suggests that re-addressing architecture and disability involves nothing less than re-thinking how to design for the everyday occupation of space more generally. (Taylor and Francis, 2014)&lt;/p&gt;&#13;
&lt;/div&gt;&#13;
&lt;/div&gt;&#13;
&lt;/div&gt;&#13;
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                <text>&lt;p tab-interval="0.5in"&gt;&lt;i&gt;Doing Disability Differently&lt;/i&gt;. (n.d.). Taylor and Francis. Retrieved May 2, 2022, from &lt;a href="https://www.taylorfrancis.com/books/mono/10.4324/9781315777559/disability-differently-jos-boys"&gt;https://www.taylorfrancis.com/books/mono/10.4324/9781315777559/disability-differently-jos-boys&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>Literary Representation of Doctors with Disabilities</text>
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                  <text>There have been very few accurate and meaningful representations of doctors with disabilities in fiction. There is a dearth of disabled doctors in literature to begin with and when they are present, the themes or disability in conjunction with their profession are not tackled productively or successfully. Through the artifacts provided in this collection, we see that even though there is great potential to set good examples of disabled doctors as part of literature and hence public imagination, the opportunities are made light of and lost when either the themes are not developed holistically or done in a fragmented manner.</text>
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                <text>&lt;em&gt;Now That You Mention It&amp;nbsp;&lt;/em&gt;by Kristin Higgins (2017)&amp;nbsp;</text>
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                <text>This novel, which revolves around a female gastroenterologist getting hit by a van leading her to being temporarily disabled and moving in with her estranged mother is another lost opportunity at exploring what it means for a doctor to be disabled. By removing the disabled doctor from the workplace and implanting her into a domestic space creates the wrongful narrative that someone disabled cannot work as a doctor and has to go on a spiritual journey to reconnect with their family and childhood mermories to find their purpose back in life.&amp;nbsp;</text>
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                <text>Kristin Higgins </text>
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                <text>https://www.kristanhiggins.com/now-that-you-mention-it</text>
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                <text>Mahvish Nazar </text>
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                  <text>Literary Representation of Doctors with Disabilities</text>
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                  <text>There have been very few accurate and meaningful representations of doctors with disabilities in fiction. There is a dearth of disabled doctors in literature to begin with and when they are present, the themes or disability in conjunction with their profession are not tackled productively or successfully. Through the artifacts provided in this collection, we see that even though there is great potential to set good examples of disabled doctors as part of literature and hence public imagination, the opportunities are made light of and lost when either the themes are not developed holistically or done in a fragmented manner.</text>
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                <text>&lt;em&gt;The Second Opinion&lt;/em&gt; by Michael Palmer (Macmillan Publishers, 2009)</text>
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                <text>&lt;em&gt;The Second Opinion&amp;nbsp;&lt;/em&gt;engages with the representation of disabled doctors in two ways, albiet in a problematic manner. In the first engagement, we see Dr Sperelakis so disabled after involved in a hit and run and being comatosed that he is literally unable to perform his role as a doctor, not giving us even the slightest chance to imagine him as disabled and as a doctor.&amp;nbsp;&lt;br /&gt;On the other hand, we see his daughter who has Asperger's stereotyped as a savant who though is a doctor and has great cognition and photographic memory but lacks social skills, leading her to give up work in an urban American setting and instead join Doctors without Borders. This makes it appear as if being disabled makes one have to choose between their work and social life and one cannot have both, fueling the negative stereotypes around disability, especially in the medical field.</text>
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                <text>Michael Palmer </text>
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                <text>https://us.macmillan.com/books/9781429920124/thesecondopinion</text>
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                <text>Macmillian Publishers </text>
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                <text>2009</text>
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                  <text>Books Advocating For Doctors with Disabilities </text>
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                  <text>There are a number of books published to advocate for doctors with disabilities but we see that there is a dearth of material addressed to the students themselves, giving them the tools for advocacy and the empowerment of asking for accommodations. As we will see, there is just one such book which was published in 2018. For other books, we see some good work being done directed towards medical school administrations but again this work is vague and begs to question how effective it is in creating actual change.&amp;nbsp;</text>
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                <text>&lt;em&gt;The "Disabled" Doctor: A Guide for Medical Students with Disabilities on Self Advocation, Obtaining Accommodations, and More&lt;/em&gt; by Patrik Janik M.D. (2018)</text>
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                <text>Written by recent medical school graduate Dr Janik, this manual gives hands-on and practical advice on what questions to ask universities while looking for a medical program to enroll in, how to self advocate and how to gain accommodations on professional exams etc. &#13;
 &#13;
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                <text>https://books.google.com/books/about/The_Disabled_Doctor.html?id=-KiRuwEACAAJ</text>
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                  <text>Literature on Universal Design and the Built Environment</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="66">
                  <text>This collection addresses existing literature that deals with universal design in the built environment as well as in relation to material objects. While not dealing exclusively about the intersection of disabled doctors and universal design, this collection hopes to point audiences to books that may serve as starting points for disabled doctors as well as the able-bodied community around them to start thinking about what it would mean and what it would look like for disabled doctors to have their voices heard and consequential in the altering and changing of medical environments such as hospitals, clinics, rehabilitation centers, and more.</text>
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                <text>&lt;em&gt;What Can a Body Do?&amp;nbsp;&lt;/em&gt;by Sara Hendren (Riverhead Books, 2020)</text>
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                <text>Sara Hendren</text>
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                <text>Furniture and tools, kitchens and campuses and city streets—nearly everything human beings make and use is assistive technology, meant to bridge the gap between body and world. Yet unless, or until, a misfit between our own body and the world is acute enough to be understood as disability, we may never stop to consider—or reconsider—the hidden assumptions on which our everyday environment is built. &lt;br /&gt;&lt;br /&gt;In a series of vivid stories drawn from the lived experience of disability and the ideas and innovations that have emerged from it—from cyborg arms to customizable cardboard chairs to deaf architecture—Sara Hendren invites us to rethink the things and settings we live with. What might assistance based on the body’s stunning capacity for adaptation—rather than a rigid insistence on “normalcy”—look like? Can we foster interdependent, not just independent, living? How do we creatively engineer public spaces that allow us all to navigate our common terrain? By rendering familiar objects and environments newly strange and wondrous, &lt;em&gt;What Can a Body Do?&lt;/em&gt; helps us imagine a future that will better meet the extraordinary range of our collective needs and desires. (Penguin Random House)</text>
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                <text>Hendren, S. (n.d.). &lt;em&gt;What can a Body Do? by Sara Hendren&lt;/em&gt;. penguinrandomhouse.com. Retrieved April 30, 2022, from &lt;a href="https://www.penguinrandomhouse.com/books/561049/what-can-a-body-do-by-sara-hendren/"&gt;https://www.penguinrandomhouse.com/books/561049/what-can-a-body-do-by-sara-hendren/&lt;/a&gt;</text>
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                  <text>Literary Representation of Doctors with Disabilities</text>
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                  <text>There have been very few accurate and meaningful representations of doctors with disabilities in fiction. There is a dearth of disabled doctors in literature to begin with and when they are present, the themes or disability in conjunction with their profession are not tackled productively or successfully. Through the artifacts provided in this collection, we see that even though there is great potential to set good examples of disabled doctors as part of literature and hence public imagination, the opportunities are made light of and lost when either the themes are not developed holistically or done in a fragmented manner.</text>
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                <text>&lt;em&gt;Sea Glass Island&lt;/em&gt; by Sherryl Woods (MIRA Books, 2013)</text>
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                <text>In the novel &lt;em&gt;Sea Glass Island&lt;/em&gt;, we encounter the love interest of the protaonist who has some makings of a good disabled doctor representation in literature but it still has a long way to go. The doctor, who was disabled in a war zone is kind and generous and works tirelessly for disabled children but is closed off emotionally due to his disability and associated trauma. As a result, even though we see some multidimensionality here, it still plays on tropes of disabled person as saint and disabled person as tortured by their disability.&amp;nbsp;</text>
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                <text>Sherryl Woods </text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="278">
                <text>https://sherrylwoods.com/book/sea-glass-island/</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="279">
                <text>MIRA Books</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="280">
                <text>2013</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="281">
                <text>Mahvish Nazar </text>
              </elementText>
            </elementTextContainer>
          </element>
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    </elementSetContainer>
  </item>
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