7 10 62 https://dhd752groupproject.digital.uic.edu/files/original/81c2861405cf9fabf5e280f6bd4ac9d6.jpeg c61385e3ccaf1fdfe4da7f68a4090ddc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Representations of Disabled Doctors in Television Description An account of the resource Television, being present in almost every home across the globe has immense potential to impact the way ideas are shared in the public imagination and how due to positive or negative representations, it can shape how the layman thinks about individuals having certain identities and the same goes for disabled doctors. Representations of doctors with disabilities on the small screen have been sparse and unidimensional and even though progress has been made, there is still a long way to do.  Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Another Doctor with a Cane: Dr. Gregory House on House M.D. Description An account of the resource In 2004, a new medical drama aired on Fox called House M.D. in which the titular character Dr. Gregory  House, a disabled doctor, walking with the help of a cane and addicted to painkillers was an unconventional, <a href="https://en.wikipedia.org/wiki/Misanthropy">misanthropic</a> medical genius who led a team of <a href="https://en.wikipedia.org/wiki/Medical_diagnosis">diagnosticians</a> and diagnosed and managed mysterious ailments in his patients. As a result of these various personality traits coming together to form a complicated character, it was seen that when House was just seen as someone who hates people, this trait of his became a thin veil which rendered his disability invisible and subsequently marginalized and erased it. This can clearly be seen in the following artifact: At the October 2010 meeting of the American Society for Bioethics and Humanities (ASBH), an affinity group presentation on doctors in film and television evolved into a heated debate over House M.D. The group, comprised of PhDs in the humanities along with medical doctors and attorneys, focused solely on Dr. House's treatment of patients while overlooking his disability. The point is that even an audience relatively attuned to cultural constructions of disability could not see House's disability beyond his bad behavior. The conversation raises questions like "How is disability rendered invisible in popular media?" "How does House M.D. both perform and erase disability?" (Altavilla, 2013) As a result, we see that even though disabled doctors did make an appearance on the small screen and there was certain representation in the media, it didn’t always translate into improved societal understanding and acceptance of them in reality. Source A related resource from which the described resource is derived Altavilla, G. (2013). Queer narrative prosthesis: disability and sexuality in Richard III and House MD. Creator An entity primarily responsible for making the resource House M.D. https://dhd752groupproject.digital.uic.edu/files/original/2a07b0083ac64befae02c8acf530019a.jpeg 0e18960d7856e538250a8ef79604f884 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Representations of Disabled Doctors in Television Description An account of the resource Television, being present in almost every home across the globe has immense potential to impact the way ideas are shared in the public imagination and how due to positive or negative representations, it can shape how the layman thinks about individuals having certain identities and the same goes for disabled doctors. Representations of doctors with disabilities on the small screen have been sparse and unidimensional and even though progress has been made, there is still a long way to do.  Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The first Disabled doctor on TV? Dr. Kerry Weaver on ER Creator An entity primarily responsible for making the resource ER Description An account of the resource Debuting on the medical drama “ER” in its second season in 1995, Dr Kerry Weaver was one of the first representations of disabled doctors on primetime television. Having a limp in her gait and using a forearm crutch, the character was played by a non disabled actor. Infact, an actress who does have a disability, Christopher Templeton, was denied an audition for the part. (Parsi, 2001) According to archives, the actor Laura Innes was involved in the decision to use a crutch as a prop for the role. Chet Cooper: When you read for the role of Dr. Kerry Weaver on ER, did you know going in that you would play a person with a disability? Innes: Yes, when I read for the part, the character was described as having a limp and using a cane. She was written with that intention. I never asked John Wells—the show’s executive producer—but I heard it through the grapevine that when he was observing hospitals, he saw a doctor who had a cane and he thought, “Oh, that’s kind of interesting.” Johnson: You knew Weaver had a limp, but did they tell you the back story? Innes: No. When I asked, “Well, what’s her malady or injury?” they said, “We haven’t decided yet.” They wanted to keep it open, and not have it be something that was an issue. We discussed what kind of crutch or cane I should use, and I actually suggested the cuff crutch, because I thought with all the moving around and concerns with cleanliness, that a doctor wouldn’t always want to be grabbing onto a cane or setting it down. With a cuff crutch, it could always be on my arm, and if I was at a trauma table I could have it for support and still use my hands. So that’s how that choice was made. When I got the part and the character was described as having a limp, I didn’t really think about it in terms of the impact as a disability. (Innes, 2008) Eventually, in Season 11, we learned that Weaver's limp was caused by congenital hip dysplasia, and in the following season, she had corrective surgery that allowed her to walk without use of the crutch. Ironically, the surgery was, at least in part, driven by Innes' real life health issues caused by using a cane for so many years on the series. As a result we see that disability was both used and eliminated casually. Source A related resource from which the described resource is derived Innes, L. (2008). Laura Innes - From Acting to Calling Action! (P. Johnson, & C. Cooper, Interviewers) Parsi, K. (2001, December ). Doctors in Balck and White on the Big and Small Screens . From AMA Journal of Ethics : https://journalofethics.ama-assn.org/article/doctors-black-and-white-big-and-small-screens/2001-12